Simone Leigh at the Venice Biennale

The NYT has a new piece on the Venice Biennale:
At Venice Biennale, Contemporary Art Sinks or Swims
This year’s event is a lopsided affair, with a forceful central exhibition but disappointing national pavilions. Stan Douglas (Canada) packs a punch and Simone Leigh (U.S.) stands out for her aspiration.

First of all, consider taking in the art just featured on the website. The event is on from April 23 – November 27.

Simone Leigh is representing the US (I’m trying to think of where I’ve last seen her work in person, and I’m thinking the Menil Collection, last year, but not at all certain); her work, incredible:

Simone Leigh in the U.S. Pavilion at the 59th Venice Biennale of Art from MONA productions on Vimeo.

From the NYT:

,…Leigh remains most successful in ceramic works such as the large white “Jug,” an oversized reconstitution of a Southern face jug whose surface she embeds with enlarged cowrie shells, and “Cupboard,” whose stonewear shell atop a large raffia skirt builds on surrealism’s African appropriations and Caribbean afterlives.

She’s taken these Southern forms — the face jug, the cupboard which has been mentioned before, taken from the Mammy’s Cupboard building in Natchez:

Mammy's Cupboard, Natchez MS

here, photographed in 2005

and the shells on face jug — here are some in my collection:

Face Jugs

really remind me so much, too, of the tradition of shells (though not cowrie in these examples) on cemetery monuments, like this on at Pioneer Cemetery in Greenville, Alabama, that I photographed in 2008:

Shell Cemetery Monument, Pioneer Cemetery, Greenville Alabama

Shell Monument at Pine Flat Methodist Church Cemetery, Butler County AL

…and this one, at Pine Flat Methodist Church Cemetery in Butler County AL.


There will be a ton of reviews coming in this week and especially this weekend. W Magazine did a nice feature on what to make sure to see at the Biennale; view Anselm Kiefer at Palazzo Ducale

Icon Spirit

Thrilledddddd to be included in Icon Spirit vol 2

Icon Spirit Photography

Icon Spirit vol 2, me

From the site:
Icon & Spirit is a magazine publication that looks at the archetypes of these two themes in relation to art. The publication includes 30 artists and a forward by the writer and community organizer, Robert Gipe. This is a small edition of 150 perfect bound copies. The publication has 100 pages of work. There are two interviews! One focuses on Jenna Garrett’s series “This Holy Hill” and the second is between Joseph Yechezqel and the monk Brother Stephen who met in prison and collaborate in traditional byzantine and contemporary Christian iconographic paintings. Please support the exposure of these artists by purchasing your copy today!

Artists in publication:
(I’m linking to a few here incl ones I know, esp Byron Sonnier and Bill Major)

Adam J. Trabold, Ally Christmas, Brother Stephen, Byron Sonnier, Lindsay Rogers, Leslie Paul, Elena Corradino, Ginger Brook (hiiiii!), Hannah Helton, Jenna Garrett, Joseph Yechezqel, Katelyn Chapman, Liz Moughon, Guadalupe Navarro, Mac Balentine, Matthew Flores, Matthew J. Brown, Michael Jensen, Pamela Diaz Martinez, Patrick Owens, Reuben Hemmer, Robby Toles, Robert Martin, Samuel Fentress, Shawn Campbell, Stephanie Sutton, William Major, and Zac Wilson

Bill Major previously did an art book called “Baby Faces & Heels” on rural wrestling and it is beyonnndddddd even if you’re not into it

 

View this post on Instagram

 

A post shared by Will Major (@buffalo_bill_major)

A Man And His Catfish

K-May Donuts, Athens AL

*Do* love a good business bulletin board. Interspersed there with the independent insurance business cards and the realtor cards (the realtors really outdo themselves) there’s occasionally something with real substance. This one is fab. I knew an almost-100lb catfish had to be in at least the Decatur Daily, so looked it up, and it made it all the way to Channel 48 in Huntsville.

Theodore Pride and his 98lb 3oz catfish, caught at Point Mallard
(watch the video. He is terrific.)
K-May Donuts
Athens AL, 2022.

Lonnie’s Works in Clay

Lonnie Holley is working in clay now — it’s his first show in this medium exclusively, and it began this weekend at Dallas Contemporary.

The show is titled “Coming From the Earth,” and it comes about after the gallery invited him to visit Cerámica Suro in Guadalajara, Mexico last year. (BTW, the place is a DREAM.) He spent two-and-a-half weeks making things from clay, visited the round pyramids in the area, and studied the techniques of skilled craftspeople.

His works at Dallas Contemporary will be on view through August 21.


Some of Lonnie’s newest music:

Lonnie Holley Sculpture: Headed to the Land we were Promised, New Orleans

Headed to the Land we were Promised, New Orleans (photographed last month)

Lonnie Holley, Supported by the Power, New Orleans Museum of Art

Lonnie Holley, Supported by the Power, at the New Orleans Museum of Art (I photographed November 2021)


The excellent, excellent Toledo Museum of Art’s Living Legacies: Art of the African American South exhibit closes May 1. It was not yet up when I was there this summer, but the TMA is a world-class museum and this will not disappoint, I promise. Go if you can.

…features 24 works, from large-scale assemblages and mixed media sculptures to paintings, textiles, and works on paper acquired from the Souls Grown Deep Foundation. Artists represented are Leroy Almon, Thornton Dial, Thornton Dial, Jr., Richard Dial, Lonnie Holley, Ronald Lockett, Joe Minter, John B. Murray, Royal Robertson, Georgia Speller, Henry Speller, Luster Willis, and several generations of women quiltmakers, including Louisiana Bendolph, Mary Elizabeth Kennedy, Jessie T. Pettway, Lola Pettway, Lucy T. Pettway, Martha Pettway, Rita Mae Pettway, and Florine Smith, as well as Estelle Witherspoon, one of the founders of the Freedom Quilting Bee. In recent years, these artists’ innovative practices have received overdue recognition throughout institutional spaces and in the larger cultural discourse. This exhibition will celebrate their crucial contributions to a broader understanding of American art as well as their enduring legacies.

PS: Joe Minter sends everyone his love. Saw him last month and will get by again next week. xoxo!

The Cyclone of March 25, 1901, And He… And She… And They…

Since I posted a good-natured monument from the Athens AL City Cemetery yesterday, I wanted to go back and post more pics from from this really interesting cemetery. There’s one monument that mentions someone killed from a tornado (back then, called a cyclone) and this was the one in the Birmingham area that day, deemed to be an F3, that killed 25 people:

Athens City Cemetery, Athens Alabama

Harriet Emily Pryor
beloved wife of
Robert Joseph Lowe
Born Sept 13, 1866.
And Francis Pettus Lowe
Their infant son
Born March 2, 1901.

Wife and Child

Killed in the ruins of their home by the
cyclone which destroyed it, Monday morning,
March 25, 1901.

The pic above is when I photographed it in 2008; here’s how I found it in January of this year:

Athens City Cemetery, Athens AL

This family story is pretty incredible, and includes politics and family members being born just before, and just after, parents passing away. Harriet’s husband, Robert Joseph Lowe Jr, was the son of (obv) Robert Joseph Lowe Sr, a Private in the 4th Regiment, Alabama Infantry, who died in 1862 when he contracted typhoid during the march to the First battle at Manassas (First Battle of Bull Run).

He, RJL Jr, was born in 1861, so just a baby when his father died. He was a lawyer in Birmingham in 1900 just before the cyclone, and I looked up the house number — that’s an apartment building now. There’s a notation that his and Harriet’s son, the baby who passed away in the cyclone along with her, was named Francis Pettus after the Alabama Speaker of the House (who died March 6, 1901, is buried at Live Oak in Selma, and whose monument is “a tribute of love from the Mobile Bar”). It’s Francis Pettus’ son, Edmund, for whom the Edmund Pettus Bridge in Selma is named.

Edmund Pettus Bridge, Selma AL

In 1910, RJL Jr. was living in Eufaula. His monument there lists him as a Colonel, and he’d married twice more after Harriet’s death.

Caroline Toney “Carrie” Cochran married him in Eufaula April 9, 1902, so just about a year after the cyclone. Carrie’s father was a judge who married her mother at age 53. She was born June 19, six days after her father passed away at age 60, June 13, 1873. Carrie died in 1905.

Her first husband was Henry Melville Jackson, who had been an Assistant Bishop for the Episcopal Diocese of Alabama.

Carrie’s aunt was Sarah “Sallie” Toney Oates, who had married William Calvin Oates in 1862; he became 29th Governor of Alabama. He enlisted in the Confederate Army in 1861, became Captain, then Colonel by the time of Gettysburg’s Little Round Top battle — what won it for the Union was a bayonet charge which forced the CSA back, and was credited with saving Major General George Gordon Meade’s Army of the Potomac, winning the Battle of Gettysburg and setting the South on a long, irreversible path to defeat.”

By 1864, he was in command of the 48th Alabama and had to have his right arm amputated after it was hit with a minie ball.

He returned home, went into politics, became a US Representative, then Governor in 1894.  He’s buried at Oakwood Cemetery in Montgomery, and here’s a pic of his monument I took in 2006:

Governor William Calvin Oates, Oakwood Cemetery, Montgomery AL

The inscription on this monument states:

“…born in poverty, reared in adversity, without educational advantages, yet by honest individual effort he obtained a competency and the confidence of his fellow men, while fairly liberal to relatives and to the worthy poor. A devoted Confederate soldier, he gave his right arm for the Cause. He accepted the result of the war without a murmur; and in 1898-9, he was a Brigadier General of the United States Volunteers in the War with Spain.”

Some people say “I’d give my right arm…” and this monument points out he actually did.

Skipping back to RJL Jr and his family after the cyclone, after Carrie passed away, he married Josephine “Josie” Burden Larguier, who had been nursing him after a stroke. He died in 1910, fewer than six months after they married, and after his death, their daughter Louise was born. 

Nowwww, back to the 2008 visit to the cemetery in Athens:

Athens City Cemetery, Athens Alabama

Athens City Cemetery, Athens Alabama

Athens City Cemetery, Athens Alabama

Athens City Cemetery, Athens Alabama

Terribly Sad Little Baby Monument, Athens City Cemetery, Athens Alabama

Terribly Sad Little Baby Monument, Athens City Cemetery, Athens Alabama

Athens City Cemetery, Athens Alabama

Athens City Cemetery, Athens Alabama

Athens City Cemetery, Athens Alabama

Athens City Cemetery, Athens Alabama

That monument in January:

Athens City Cemetery, Athens AL

Other monuments from January 2022:

Athens City Cemetery, Athens AL

Athens City Cemetery, Athens AL

Athens City Cemetery, Athens AL

Athens City Cemetery, Athens AL

More contemporary:

Athens City Cemetery, Athens AL

Athens City Cemetery, Athens AL

I’ll be doing a series on football-related monuments soon.

Athens City Cemetery, Athens AL


Some other monuments that include how the person died (excluding military), like the one above that mentions the cyclone, include this one I photographed in the Italian-Catholic Cemetery in West Blocton AL, this one at Oakwood Cemetery in Montgomery mentions someone drowning in the Alabama River after “not taking their advice” and “now I warn all young & old to beware of the dangers of this River; see how I am fixed in this watery Grave: I have got but two friends to mourn” and not mentioned but depicted, this monument for Mary Points in Aberdeen MS