May have to figure out how to get to NYC between now and mid-February: Andrew Edlin Gallery in Manhattan has a solo show for the artist, Carroll Cloar: the first in New York in nearly 35 years. The NYT names it among others in What to See in NYC Galleries in January. The works include six paintings on Masonite and eight pencil studies. From the Edlin press release:
By the 1950s, Cloar had settled permanently in Memphis. Close to family and his source material, he always acknowledged his debt to Manhattan, noting, “A seasoning in New York gives the artist perspective, depth, and a long view of the place of his origin.” It was that distance—and the vibrancy and experimentation of the mid-century New York art scene—that empowered Cloar to fully flower as an artist.
— Stanton Thomas, Ph.D.
Carroll Cloar is represented in the collections of museums such as the Hirshhorn Museum and Sculpture Garden, Washington D.C; the Metropolitan Museum of Art, New York; the Museum of Modern Art, New York; and the Whitney Museum of American Art, New York, among many institutions. We are grateful to David Lusk Gallery for their collaboration on this exhibition.
Welp, ha, not mentioned in the Edlin PR but Eli Manning had Cloar’s Snow Patches and in his Oxford estate sale, the auction company was accepting bids $70k+.
BTW, Dr Stanton Thomas is now the Curator of Collections and Exhibitions at Museum of Fine Arts, St. Petersburg FL and Curator of European and Decorative Art at the Memphis Brooks. He put together the Cloar retrospective at the Memphis Brooks that was on display in 2013: “The Crossroads of Memory: Carroll Cloar and the American South.” It later traveled to the Georgia Museum of Art in Athens and then the Arkansas Arts Center (now Arkansas Museum of Fine Arts) in Little Rock.
These next two Cloars were at the Frist’s Southern/Modern exhibit last year. I photographed these two from that show:

A Story Told by My Mother

The Lightning that Struck Rufo Barcliff
Here are three more Cloars. My Father was Big as a Tree from a visit I made to the Memphis Brooks in 2017:

Halloween:

Historic Encounter Between E.H. Crump and W.C. Handy on Beale Street:

Quite possibly the best-known Cloar is Where the Southern Cross the Yellow Dog in the permanent collection at the Memphis Brooks; my favorite is most definitely his Kudzu at the Mississippi Museum of Art

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